Matthew Tinkcom is Assistant Professor in the Department of English and Graduate Program in Communication, Culture and Technology at Georgetown University. Noriega, Kevin Ohi, Angelo Restivo, Matthew Ruben, Paul Smith, Eric Smoodin, Thomas Waugh, Sharon Willis, Steve Wurtzler, Patricia R. Studying Ripley and the Alien ﬁlms pedagogy and political correctness in martial arts cinema Judy Garland fandom on the World Wide Web stardom and serial fantasies: Thomas Harris’s Hannibal Tom Hanks and the globalization of stars queer Bollywood Jackie Chan and black/African-American audiences Home Alone and the boy-child video spectator 12 Monkeys, postmodernism, and urban spaceĬontributors: Rich Cante, Rey Chow, Steven Cohan, Pamela Church Gibson, Inderpal Grewal, Ina Rae Hark, Caren Kaplan, Marcia Landy, Gina Marchetti, Toby Miller, Linda Mizejewski, Meaghan Morris, Diane Negra, Chon A. The contributors rethink contemporary ﬁlm culture using ideas and concerns from feminism, queer theory, “race” studies, critiques of nationalism, colonialism and postcolonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a ﬁlm studies focus on the ﬁlm industry, production, and technology with a cultural studies analysis of consumption and audiences, this book demonstrates the dynamism and breadth of approaches now available for understanding popular cinema. Keyframes: Popular Cinema and Cultural Studies links the study of popular cinema around the world with the transformative effects of cultural studies on ﬁlm studies. Keyframes: Popular Cinema and Cultural Studies

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